There are many definitions of modern design in art. Some people use the terms realism, abstraction, and representation of feeling. In this article, we’ll look at some of the common terms and examples. You’ll also learn about the function of art. And while there are many different styles of art, some common characteristics are outlined below.
Realism

Realism is a style of art that aims to present objects and their environment truthfully without adding any speculative or supernatural elements. It is often used interchangeably with naturalism, a movement that aims to portray objects as closely as possible to their true form. Its roots are in the development of linear perspective in Renaissance Europe, and it represents a break from the idealization and scholastic art of earlier periods.
Abstraction

Abstract art can be divided into a variety of styles and periods. The main movements influencing modern abstract painting include Suprematism, Constructivism, De Stijl, Minimal Art, Neo-Expressionist art, and Post-Painterly Abstraction. Many of these movements emphasized geometric abstraction and the supremacy of pure ideas.
Representation of a feeling

Modern design in art can represent a feeling, and it is often characterized by the use of color. This type of design is often derived from the Romantic movement, when painters like Caspar David Friedrich and J.M.W. Turner began to paint the landscape as a personal experience. They aimed to express their feelings in conjunction with the landscape, which led to a unique perspective on landscapes that influenced modern art.
Functionality

Functional art is often used in interior design. Beautifully decorated rooms create a cozy atmosphere that promotes well-being and harmony. This form of art can bring beauty into everyday life and is often a popular choice for consumers.
Symbolism

Symbolism began as a literary movement in the 1880s, a time of great change throughout Europe. Its proponents, such as Jean Moreas, sought to make art and writing more evocative and suggestive of the human soul. These authors also rejected the conventions of the day, including naturalism.